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Karol G Surprises Fans with Bruno Mars Collaboration During Los Angeles Show

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La Prensa Gráfica Noticias de El Salvador

During Karol G’s second sold-out show at Los Angeles’ SoFi Stadium, the Colombian superstar brought out her collaborator Bruno Mars for a live performance of their new collaboration, “Still,” from Karol G’s latest studio album, No Me Arrepiento de Sentir Tanto. The track debuted on Billboard’s Hot 100 in March and features the pair harmonizing about unconditional love despite no longer being together.

The event was notable not only for the performance but also as it marked the filming of “Still”’s music video. Fans were informed through a large video screen that they would be witnessing the song’s official recording right then and there with Karol G and Bruno Mars, who wore matching outfits for added impact.

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Karol G opened the power ballad in a sparkling white dress before being joined by Bruno Mars, who sported a flower-embroidered white suit adorned with a cowboy hat. The pair then performed “Still,” the opening track from Bruno Mars’ upcoming album, The Romantic.

The new single has received positive reception, as Karol G revealed she posted a TikTok video discussing it and how it expressed her current emotions naturally without feeling pressured to use another language. "There’s a song on the album that’s entirely in English," she said, emphasizing the importance of organic expression in music creation.

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Mark Hale

Mark Hale is a writer, editor, and long-time cultural commentator specialising in guitars, music technology, and the quietly absurd world that surrounds them. He writes about instruments the way other people write about cars: with affection, irritation, and an unwavering belief that function matters more than mythology. Raised in a household where music was not a hobby but a constant presence, Hale grew up surrounded by vinyl records, half-functional amplifiers, and instruments that were always slightly out of tune. From an early age, he learned that guitars had personalities. Some were dependable. Some were brilliant but infuriating. Some looked magnificent and behaved like absolute idiots. This belief—that tools reveal character—has stayed with him and underpins his entire approach to writing. Before becoming a full-time writer, Hale spent years embedded in the unglamorous machinery of the music world. He worked in guitar shops where marketing promises collided daily with reality, learning very quickly which instruments survived real players and which existed purely for catalog photography. He loaded vans, wired pedalboards minutes before soundcheck, repaired cables with borrowed soldering irons, and watched outstanding musicians coax magic from battered gear while others struggled heroically with instruments that cost more than a small car.

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