A conversation with Anie Delgado

What is your goal as an artist?

Write songs that make people feel.

What is a typical day in your life as a musician?

Being an indie artist can look very different from day to day. Sometimes I am in the studio, other days I'm filming content or a music video. Somedays I am at my desk answering emails. That's what keeps it fun!

What do you think of AI in music? Will it change the way we make or listen to music?

I do think we need to be careful because as far as I understand, AI doesn't know boundaries and there's a big IP issue potentially. I do think it's a cool way to expand your vocabulary as a songwriter. Sometimes I'll use it to find different ways to say things. I would never personally write a song with AI though. It doesn't feel real.

If you could collaborate with any artist, dead or alive, who would it be and why? How do you think that collaboration would shape your music?

Taylor Swift because I've listened to her since I was a little girl and she is such a master songwriter I think it would level up my own songwriting. She's already shaped me so much as a songqwriter and my other peers I think I would learn so much. I feel like she knows songwriting so well that she knows when to break the rules as well.

If you could describe your musical journey in a single lyric from one of your songs, which one would it be and why?

"tell me what we got to lose we made it this far" - I wrote Cloud9 about imposter sydrome really at the very start of my career. This line is a nice mantra. It says "we've made it here, who's to say we can't make it a step further." I think taking things day by day in baby steps as an indie artist is important.

Stranger-from-the-Internet-Promo-Photo



What made you become an artist? How did you start?


I started writing songs in my room. I was a kind of busy kid in a lot of activities but every night my favorite part of the day was going to my music room and writing. That and seeing Lindsay Lohan look super cool in Freaky Friday as an artist. I wanted to be like her and Taylor Swift when I was younger.



You’re working on a new EP. How does “Stranger from the Internet” fit into the larger narrative of the EP, and what can fans expect from your new music?

Stranger from the Internet is actually a stand alone record, but you'll see it pop up again sometime soon. The EP itself is a little bit of a departure from my previous songs. It's a dark pop record about the highs and lows of being hopeless. A hopeless romantic that is.

Tell us about the last EP or single you've discovered and listened to. What was it like?

My current obsession is Brat. It's equal parts deep and a party record. It's really inspiring me right now.

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George S.

George is a teacher, journalist, and interviewer based in Europe, with over six years of professional experience in education and cultural writing. Since 2021, he has been an active member of several editorial teams across Europe and the U.S., contributing to technology- and music-focused publications such as Indiefferential, microphone, and intheview.com. In June 2021, George joined Indiefferential Magazine, where he specializes exclusively in long-form interviews. Over the past year, he has conducted more than 2K interviews, speaking with artists, composers, designers, and athletes from around the world, often exploring the intersection of music, creativity, and personal narrative. Notable interviews include a conversation with award-winning composer Simone Benyacar, whose work spans major global campaigns such as The Lord of the Rings, Harry Potter, Mission: Impossible, Call of Duty, and Assassin’s Creed; George interviewed Anna Mészöly, fresh from winning the Best Performance (Best Actress) award in the Cineasti del Presente section at the 77th Locarno Film Festival, about her collaboration with Adrien Brody in A24’s The Brutalist. He has also interviewed Edouard Boulanger, co-driver for Audi and winner of Dakar 2021, as well as British illustrator and designer Andy Bourne, whose work draws inspiration from vintage comics, pop art, and 1960s psychedelia. He holds two Master’s degrees—in Special Education and Human Geography, Spatial Development, and Planning—as well as two Bachelor-level degrees in History and Ethnology and Computer Technology. His interdisciplinary academic background informs a human-centered approach to music journalism, focusing on storytelling, creative process, and the cultural contexts surrounding sound and art. His work focuses on storytelling, creative process, and the ways music and art reflect broader social realities.