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Accounts Artists Need to Unfollow in 2026

By 2026, attention is the most valuable resource in the artist’s arsenal and it’s under siege. Not through a lack of opportunity, but through an endless deluge of content intended to distract, dilute, and disconnect writers from their own voice.

Here are the accounts that artists should seriously contemplate unfollowing in 2026.

1. Hustle Influencers Monetizing on Anxiety

"If the underlying message of an account is ’you’re already behind,’ then it's not motivation, it's manipulation."

It’s a group of people who promote productivity tips, algorithm panic, and faux urgency in order to sell courses, templates, or secrets that often have nothing to do with making artists grow creatively. Artists aren’t asked to share more content, work harder, or maximize every moment. They require clarity, patience, and time to innovate.

If following someone makes you feel guilty for resting and creating slowly, unfollow.

2. Brands that Cosplay as Community

In the year 2026, brands are louder than ever, but authenticity is thinner.

In many brand accounts, there is regurgitated activist speak, trend riding on cultural phenomena, and feigning interest in “supporting artists” while supplying nothing but exposure and platitudes in return. A brand that has never paid an artist, amplified actual artistic work, and has never made a meaningful commitment is not part of any sort of community; it is only marketing.

Artists need to stop following the brands that draw upon the culture without contributing to said culture in return.

3. AI Slop Accounts

The problem isn’t AI-written content, it’s lazy AI content.

The kinds of accounts that are churning out "mass-produced thought of the day"-type quotes, knockoff art, simulated faces, or generic notions of "creative inspiration" in the form of generated text prompts rather than personal experience are flooding the feeds.

"If an account rings hollow, or seems to be repeating itself, or lacks emotional resonance, trust your gut." Inspiration should be human.

4. Comparison Traps Disguised as Advice

Rather, some boasting narratives claim to educate but are filled with victories and accomplishments.

When every single post is about streams, followers, sold-out shows, or “how fast I grew,” it silently equates artistic expression with a scorecard. Artists come to determine their own worth based on another person’s timeline.

Growth doesn’t require an audience. Art doesn’t require proof.

5. Trend-First, Soul-Last Creators

Awareness of trends is good. Dependence on trends is fatal. Accounts that pursue every sound, every aesthetic, or every shift in platforms urge the artist to trade their identity for relevance. By 2026, the public hungers for voice, not speed. It’s the artists who no longer shape-shift that will endure. “Because if an explanation confuses you instead of clarifying your gut, let the explanation go.”

This article was updated on
Mark Hale

Mark Hale is a writer, editor, and long-time cultural commentator specialising in guitars, music technology, and the quietly absurd world that surrounds them. He writes about instruments the way other people write about cars: with affection, irritation, and an unwavering belief that function matters more than mythology. Raised in a household where music was not a hobby but a constant presence, Hale grew up surrounded by vinyl records, half-functional amplifiers, and instruments that were always slightly out of tune. From an early age, he learned that guitars had personalities. Some were dependable. Some were brilliant but infuriating. Some looked magnificent and behaved like absolute idiots. This belief—that tools reveal character—has stayed with him and underpins his entire approach to writing. Before becoming a full-time writer, Hale spent years embedded in the unglamorous machinery of the music world. He worked in guitar shops where marketing promises collided daily with reality, learning very quickly which instruments survived real players and which existed purely for catalog photography. He loaded vans, wired pedalboards minutes before soundcheck, repaired cables with borrowed soldering irons, and watched outstanding musicians coax magic from battered gear while others struggled heroically with instruments that cost more than a small car.