Interviews

A conversation with cooper mae 

Where can we find you right now and what are you up to?

Right now, you can find me in the DC area, however, I have not transitioned into live shows quite yet, so if you want to find me, my online presence is the best place! Lately, I’ve been deep in album mode: finishing songs, refining visuals, and building a world around my upcoming music that feels honest and lived-in. (All while trying to balance my personal life and all of its’ chaos!)

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How would you define success? What is your goal?

Success, to me, is longevity and integrity. It’s making work that feels true to who I am even as I change, and finding the people who feel seen in it/can relate to it. The goal isn’t virality for a moment but rather connection over time. If my songs become something someone returns to during different seasons of their life, that’s success.

How did you start?

I started writing songs long before I ever thought of releasing them mostly as a way to process things in a constructive manner. Music was always where I could be the most honest, but also the most vulnerable. cooper mae came way later, when I realized I didn’t want these songs to live quietly just on paper anymore. It felt less like “starting a project” and more like finally letting myself take up space in the world.



What is a typical day in your life as an artist?

There’s no such thing as a truly typical day, which I think is part of the magic. Some days are very unglamorous. Voice memos, rewrites, mixing, admin tasks, social media, emails. Other days are purely creative: writing lyrics, experimenting with production, or perfecting a melody that won’t leave my head. And then you also have the couch potato days, where I do nothing related to music what so ever. The through-line is consistency though. Showing up again and again even after taking some time off.

What do you think of AI in music?

I see AI as a tool, not a replacement. It can be useful for brainstorming or speeding up certain workflows, but it can’t replicate lived experience, nuance, or emotional risk. The most compelling music still comes from being human and a little (a lot) uncomfortable. AI can assist the process, but it can’t write your truth for you. That’s the best part of art. That’s what keeps it raw and human.

Tell us about your latest or upcoming release.

My upcoming work is something that I like to call slightly unhinged honesty. My new album (‘notes from the archive’ release date TBD) is introspective and emotionally sharp, but still catchy and also quite intimate. The songs are really exploring day to day themes like modern love, self-awareness culture, feminism, and emotional accountability. Just with a bit of humor and bite. To me, it became a collection that feels like flipping through a private archive of thoughts you maybe weren’t supposed to read, but immediately recognize and relate to. I’m really excited to drop it.

This article was updated on
George S.

George is a teacher, journalist, and interviewer based in Europe, with over six years of professional experience in education and cultural writing. Since 2021, he has been an active member of several editorial teams across Europe and the U.S., contributing to technology- and music-focused publications such as Indiefferential, microphone, and intheview.com. In June 2021, George joined Indiefferential Magazine, where he specializes exclusively in long-form interviews. Over the past year, he has conducted more than 2K interviews, speaking with artists, composers, designers, and athletes from around the world, often exploring the intersection of music, creativity, and personal narrative. Notable interviews include a conversation with award-winning composer Simone Benyacar, whose work spans major global campaigns such as The Lord of the Rings, Harry Potter, Mission: Impossible, Call of Duty, and Assassin’s Creed; George interviewed Anna Mészöly, fresh from winning the Best Performance (Best Actress) award in the Cineasti del Presente section at the 77th Locarno Film Festival, about her collaboration with Adrien Brody in A24’s The Brutalist. He has also interviewed Edouard Boulanger, co-driver for Audi and winner of Dakar 2021, as well as British illustrator and designer Andy Bourne, whose work draws inspiration from vintage comics, pop art, and 1960s psychedelia. He holds two Master’s degrees—in Special Education and Human Geography, Spatial Development, and Planning—as well as two Bachelor-level degrees in History and Ethnology and Computer Technology. His interdisciplinary academic background informs a human-centered approach to music journalism, focusing on storytelling, creative process, and the cultural contexts surrounding sound and art. His work focuses on storytelling, creative process, and the ways music and art reflect broader social realities.